Merchant of Venice adaptation: “Other People’s Money”

Added a page about our most recent production “Other People’s Money” to the Business English Theatre Project’s website (with picture gallery).

Posted in BET Reutlingen | Leave a comment

Another production…

…has been keeping me busy lately. From March to mid-June I was involved in writing and rehearsing an adaptation of “The Merchant of Venice” – with modern business background, called “Other People’s Money”. 3.5 months (not counting the time it took to decide which play to adapt), 21 actors from 6 countries, studying at 2 universities in 2 cities – a lot of work but also lots of good experiences and lots of things I learned, which I will hopefully be able to apply to future production processes.

Posted in BET Reutlingen, Provisional Players | Leave a comment

Airport stories

Pictures from “Airport Stories” are now online:

http://www.reutlingen-university.de/international/projekte/switch-rt/the-business-english-theatre-project/airport-stories/picture-gallery-airport-stories.html

It was a nice show all in all. Of course, it would have been nice if we had had more preparation time for certain things… As always.

Posted in BET Reutlingen, Provisional Players | Leave a comment

Europäisches Sprachensiegel 2010

So the three witches from “Macbiz” are finally reaching local fame ;-) – winning the “Europäisches Sprachensiegel 2010″ has brought us a mention in our local newspaper:

http://www.gea.de/region+reutlingen/reutlingen/+macbeth+wird++macbiz.1665207.htm

and we’ve made it into the news at the bmbf: http://www.aufstieg-durch-bildung.info/news/top-on-the-job.html

Posted in BET Reutlingen, Provisional Players, theatre in general | Leave a comment

New show in December

“Airport Stories”: 13 and 14 December (Provisional Players and BET) in Reutlingen. Busy with rehearsals!

Posted in Uncategorized | Leave a comment

airport drama

No, I’m not talking about heart-rending goodbye scenes, or not only. Over the summer, I decided that an airport might be a good setting for the next Business English theatre production. And now I ‘ve finally made some progress with the script – or rather scripts. I was briefly considering to do a full length play this time but now it looks more like short plays once more.

By the way, there are a number of airport plays around already. I found “Fireflies” by Stena Štivicic (first staged in Germany in 2008) and “Mobile” by Sergi Belbel. Also there seems to be a German play called “Fracht (Nautisches Denken I-IV)” by Ulrike Syha. There is a short novel called “Flughafenfische” by Angelika Overrath and of course lots of films that are at least partly set in airports. A new one seems to be “Orly”, not yet released in Germany. A more widely known movie is certainly “The Terminal”, a comedy featuring Tom Hanks as a hapless foreign tourist stuck at JFK airport in New York. All that is very good inspiration – let’s see if I can come up with any variations on the theme ;-) .

Posted in BET Reutlingen, theatre in general | Leave a comment

stage design

I’m wondering if anyone has experiences in using blender (a freeware programme) for stage design? I’ve played around with blender some time back but unfortunately I didn’t master the finer details of how to use it. It is a quite sophisticated 3D image manipulation programme and as such maybe not the best choice for someone looking for a simple programme for simulating one’s stage design. And – it is mainly operated by shortcuts, which, if I don’t use them constantly, I tend to forget, so every time I have to start more or less from scratch. Anyways, here are some of my – admittedly not very advanced – results of using blender.
stage design Soul Cage 1
Stage design for Soul Cage (2009). The blue construction with the “person” inside (I didn’t get as far as modelling human beings, so I borrowed him from a tutorial) in it, was the “elevator”, which was a central element of the set for this play. At this stage I was still planning to have the entrance of the elevator sideways and have the audience look into the elevator through a “glass” wall. You might notice some blue “sky” on top – no, this does not mean that our theater doesn’t have a roof. (The university might be trying to save money but they haven’t dispensed with roofs yet.) I simply forgot to put in a proper ceiling in this image.

Stage design Soul Cage 2Here is the whole thing viewed from the front. The white box is the reception desk (the play was set in a hotel). I don’t know if it was because of blender (I think not) or because or chief set-constructor alerted me to it (more likely) but in the course of planning this special set we realised that, depending on where a spectator sits, view of the “elevator’s” interior would be limited. But so much of the action was supposed to take place just there! Solution: slightly angled side-walls for the elevator and telling the actors to keep themselves visible (i.e., not lean on the walls of the elevator too much or spend a lot of time at the very back of the elevator). We worried about this quite a lot but I think in the end it worked out fine.

Soul Cage last scene
Seven people (the main characters) “stuck” in the elevator. And you can see (almost) all of them!



closeup of dialWhile the main layout of the elevator was fairly basic (three angled walls + ceiling), the details were a technical masterwork (thanks to our crafty set technicians…). The elevator had an “automatic sliding door” on the front, so you would see people getting in and out. But since it was vitally important to see the interior of the cabin while the elevator was “moving”, we had no use for an actual door. Instead we used a sliding plank to signal the door, which was operated by ropes by two people standing behind the elevator box. The elevator also had a (manually operated) bell and a dial (manually operated with the help of a long pole) showing the floors the elevator was moving through. These were two very busy helpers behind the elevator!

Posted in Provisional Players, theatre in general, Website and computer related | Leave a comment

Departures

Isa, my partner in the project “Curtain Up For Kids” and long-time member of the Provisional Players will now definitely be leaving for a new job in NRW in September. Jennifer, who co-directed Soul Cage and Loose Ends and her family are moving back to Canada next week after two years in Germany. Thank you both for working with me and I will surely miss the two of you!

Posted in Curtain Up For Kids, Provisional Players | Leave a comment

Changes?

Changes ahead? My project-partner involved in “Curtain Up For Kids” is considering taking up a new job, far away from Tübingen. If she does move, we will probably not be able do another holiday course together. It’s a little sad for me but it’s a great opportunity for her. I will know more in a few days.

Posted in Curtain Up For Kids | Leave a comment

work in progress…

Added and updated list of productions, working on page with script-downloads and sub-pages.

Posted in Website and computer related | Leave a comment